Works

Verlöschend (2011)
for Soprano Saxophone
Duration: 4'
Den nächtlichen Funken entgegen (2011)
for Soprano Saxophone and Ensemble
Commissioned by Joyce SoHo and the Argento Ensemble for SONiC Festival NYC 2011
Duration: 16'
Instrumentation: Soprano Saxophone, Perc (2)
Zifferblatt der Nacht (2011)
for Soprano Saxophone and Ensemble
Commissioned by the Argento Ensemble for the Moving Sounds Festival 2011
Duration: 13'
Instrumentation: Soprano Saxophone, Fl, Cl, Tpt, Pf, Perc (2), Vln, Vcl
Vor dem Morgengrauen (2011)
for Violin and Ensemble
Duration: 20'
Instrumentation: Solo Violin, Fl (picc), Cl (bcl), Hn, Hrp, Pf/Cel, Perc, Vln, Vcl
This work has been commissioned by The University of Sydney and the Dean and Principal of the Sydney Conservatorium of Music, Professor Kim Walker, celebrating the 100th anniversary of the Sydney Conservatorium of Music.
Bending the Ear (2011)
for Soprano and Ensemble - Text by James Fenton
Commissioned by the Cygnus Ensemble
Duration: 7'
Instrumentation: Soprano (with crotales - G#, A, C), Fl, Gt, Vln, Vcl
Stille Shrik (2011)
for Violoncello Solo and Large Orchestra
Duration: 25'
Instrumentation: 3, 3, 1 (Bcl), 0 - 3, 2, 2 - Hp - Pf/Cel - 2 Perc - Solo Vla, Strings (12, 12, 8, 8, 5)
Antiphonica. . ."pange lingua" (2010)
for string quartet
Commissioned by the iO String Quartet, made possible through a grant from Meet The Composer.
Duration: 8'
Himmelfahrt in die Tiefen der Nacht (2010-11)
for Soprano Saxophone and Ensemble
Duration: 15’
Instrumentation: Solo Soprano Saxophone, Fl, Cl, Tpt, Pf, Perc (1), Vln, Vcl
Primitive Resonances (2010)
for violin and percussion
Commissioned by MuSE (Multicultural Sonic Evolution)
Duration: 6’
Ladders and Altitudes (2010)
for violin and piano
Commissioned by Stefan Jackiw
Duration: 5’
Deaths I Come Back To (2010)
for mezzo-soprano, and string trio
Commissioned by the Monadnock Music Festival; Composer-in-residence 2010
Duration: 8’
Hardingfele Stev (2010)
for solo violin
Duration: 8’
Violin Concerto (2010)
Commissioned by the New Juilliard Ensemble, Joel Sachs, director; The Juilliard School.
Duration: 23’
Instrumentation: 1(double Picc), 1,1 (double Bcl), 1 - 1, 1, 1 - Hp - Pf/Hpsd/Cel - 1 Perc - Soli Strings (2 Vln, Vla, Vcl, Cb) - Electronic Tape
String Quartet No. 4 (2010)
Commissioned by the iO String Quartet, made possible through a grant from Meet The Composer.
Duration: 12’
String Trio (2009)
Commissioned by the Monadnock Music Festival.
Duration: 5’
String Quartet No. 3 (2009)
Commissioned by the Zukofsky Quartet for the 2009 American Composers Alliance (ACA) Festival.
Duration: 14’
Savannah Currents (2009)
for violin and cello
Commissioned by the Inaugural Aiken Festival, presented by The Juilliard School.
Duration: 5’
Struck (2008)
for violin, violoncello, guitar
Commissioned by the Cygnus Ensemble
Duration: 4’
Wechselströme (2008)
for wind quintet; 2 flutes (1 doubling picc), oboe, clarinet, bassoon
Commissioned by the Mimesis Ensemble
Duration: 11-12’
Souvenir (2007)
for two violins
Commissioned by Ole Bohn, for the Vigeland Museum; Oslo, Norway.
Duration: 4’
Stile Concertante (2007)
for flute, oboe, violin, violoncello, guitar, mandolin
Commissioned by the Cygnus Ensemble
Duration: 10’
Harmonica Tune (2006)
for violin and piano
Commissioned by Ariana Kim
Duration: 3’
String Trio (2006)
Composed for Lamont Library, Harvard University, Cambridge, MA
Commissioned by the Second Instrumental Unit
Duration: 5’
Northern Winds (2005-06)
Wind Ensemble: 4 fl, 4 cl, 4 sax (2 alt, 2 ten), 1 trp, 2 tbn. (ten.), glockenspiel, marimba,
piano, 10-part electronic tape
Commissioned by the Lyndon Institute, Awarded the “Young Composers Commissioning Project”
Duration: ca. 5’
String Quartet No.2 (2005)
Commissioned by the Tetras String Quartet
Duration: 10’
Awarded the Charles Ives Award/Scholarship, American Academy of Arts and Letters
Discant Dialects (2004-05)
for strings (double string quartet), piano and harpsichord
Duration: 9’
Awarded the 56th Annual BMI Student Composer Award (2008)
Tangled Parallaxes (2005)
for soprano saxophone and electronics
Commissioned by Eliot Gattegno
Duration: ca. 6’
Points of Origin (2004)
for violin, viola, violoncello, guitar, electronic tape
Duration: 6’
Despite Straight Lynes (2004)
for three clarinets
Duration: 7’
The Great Destroyer (2003)
for two violins and synthesized FM sounds (electronic tape)
Duration: 9’
String Quartet (2002-03)
Duration: 8’
Parallax (2002)
for solo violin
Duration: 3’
Blurred Images (2002)
for solo harpsichord
Commissioned by Takae Ohnishi
Duration: 6’
Shades of Lavender (2001-02)
for full orchestra
Duration: 7’
Raven’s Descent (2001)
for mezzo-soprano and piano
Duration: 4’
Strata (2001)
for large chamber ensemble: 2 (1 double Picc), 0, 2, 2 (2 double Cbsn) - 0, 1, 1 - Pf - Perc (1) - Strings 3, 2, 2, 0
Duration: 10’
Eliptifonica (2001)
for cl, pno, and tape
Duration: 5’

